“C’était un Rendez-vous” is a series of short unedited films and corresponding photographs. These depict construction sites and the route linking them to the workshop of their architect. The trajectory which links the point of departure to the point of arrival serves to weave and confirm the complex relationships linking these projects to their environment. To document his carnal relationship with his context, the architect is propelled by his superbike at extreme speeds, capturing the images using a wide-angle lens camera fixed onto his helmet.